The House I Grew up in

bernie's houseAbout a month ago Grace Camblos, a biographer, photographer, and author, invited me to participate in a four week memoir writing class.  One of the “prompts” she gave to us was to write about, “The house I grew up in.”

I remember it well. The address was 144-15 33rd Ave., Flushing, Long Island, NY. We moved there in about 1938. It was a two-story house with a finished attic and basement and was the third of three houses on the block. They were the first of many, built by Abraham Levitt, who went on to develop Levittown on Long Island and in Pennsylvania.

I was 14 in September of 1942 and I just got back from eight weeks at Camp Man, the Queens County summer Boy Scout camp, at Ten Mile River in upstate New York. It was a Monday morning and the High Holidays had just begun.  My grandmother’s room was just next to mine at the head of the stairs. I got dressed and was heading off to school — to Fieldston. As I passed my Mema’s room, her full-time nurse came out and said, “I can’t revive her.” We went into her room and turned her over so she was face down with her head to the side. I climbed on top of her and rhythmically pressed down on her rib cage administering artificial respiration 1940’s style, that I learned how to do as a Boy Scout.There was no resistance, no push back. Her body did not respond to the pressure. I could not revive her. Reality struck. I felt the difference between life and death. I felt it in my hands.

Continue reading “The House I Grew up in”

The Cost of War

We all know that war and any other aggressive action, by its very intent, causes damages and destruction. It is likely to cause death, damage, destruction, injury and disability to the “enemy” — and to ourselves and our own forces as well. Moreover, each action always involves time, energy, resources and funds — all of which could have been used for something else. It is essential to understand and plan for the resources required before taking any action.

Moreover, any action will almost certainly provoke a “retaliatory response” requiring additional resources to react to it. There is an almost instinctive, virtually automatic, retaliatory reaction to any initial aggressive act — meet aggression with aggression. Frequently it leads to an escalation of the conflict. Robert McNamara was Secretary of Defense during the Vietnam War. His important post-Vietnam advice was — understand your enemy before engaging in hostilities and taking any action. Add to that the likely collateral damage and the potential for unforeseen and unintended consequences and the additional cost of providing compensation and restitution for any damages and injury caused, certainly to one’s own forces, and perhaps to others as well. All those factors contribute to “The Cost of War.” Be mindful of them. Continue reading “The Cost of War”

Clothing

eskimowoman
This is Inuit elder Qappik Attagutsiak in her traditional caribou and sealskin clothes. Location: Arctic Bay, Baffin Island, Nunavut, Canadian high Arctic
Photographer: Sue Flood

Like all mammals, humans have fur. Some of us have more, others less. In addition to our fur we have created clothing to help protect us from the environment or to take advantage of it. Clothes have other functions as well. Like plumage it attracts members of the opposite, or the same, gender. It can be used to attract attention or to hide. Or used as an indication of the group we belong to and of status, rank or position in the hierarchy. The name or number on it can identify the person. It can be an indication of affluence. Clothing can also be part of our kit bag of tools, allowing us to do whatever job we undertake better. Importantly, it is a way to express who we are and our creativity.

Clothing is an art form as well as one of the basic inputs. Like the others it is dependent upon the materials that are available, on our ability manipulate them and the skills of the artisan. As the changes in it over time demonstrate, it also depends the environment, the current technology, the tools and available resources. Like all other art forms it is a product of the culture. And within that culture it depends on the imagination and creativity of the artist and, in this case, of the wearer as well. Whenever we see a piece of clothing or an image of it, a number of questions may come to mind such as: who created it, what is it made of, how does it fit into the environment, etc. In addition to covering us up or not and protecting us from the environment, clothing has many other functions:

  • It varies depending on environmental conditions.
  • It helps us stand out in a crowd or to hide.
  • It identifies us as a member of a team or group and as who we are.
  • It is an indication of class, status and rank.
  • It can serve as a tool helping you do your job.
  • It is an art form.

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Shelter

Thatched-Houses-Skye
Thatched roof cottage, Ireland

Rumor has it that as a species — Homo sapiens — we originated in Africa and migrated all over the globe. On a daily basis each of us requires some essential inputs like clean air, water, food, clothing, rest and shelter. See Viewing the Body as a Complex Machine. Shelter provides protection from the elements like heat and cold, the wind, rain, etc, and from daily and seasonal variation and their extremes. The nature of the protection required depended upon where we were living and on the materials that were available locally as well as the skills and tools of our ancestors. That is where our creativity as a species came into play. Using the resources that were available locally and their imagination, our ancestors created shelters to protect themselves from the elements. They were all different and beautiful. They included: Cave dwellings, TeepeesAdobes, Sod hutsThatch housesIgloos, and Log cabinsMany different structures evolved. Those are just some of them.  Aren’t they beautiful, artistic and creative? For a better understanding about what we would like to know about each of these shelters as works of art see Seeing Some Shelters and Clothing as Fine Art and Fine Craft. Continue reading “Shelter”