People often ask me, “What have you done in the 30 years since you retired?” My answer is always the same. I tell them that I’m a nominally retired economist.
For the first two years I traveled around the Country in my Ford Aerostar van. I had reconfigured it so I could live in it or out of it. During the day the curtains came down so that I wouldn’t miss any of the beautiful scenery much of which was new to me. As an East Coast kid, I was used to seeing the sunrise and the horizon over water. But I had never seen it over land, the spectacular mountains, or the sunset over the ocean. What a majestic experience!
Whenever there was a craft show in the area I’d be there. I gave up on the economics of the health-care system (that’s another long story) and turned to the Economics of Fine Art and Fine Craft. I specialized in the study of the high-end craft market from an economist’s perspective. Among others, I attended the Baltimore American Craft Council Show, the Philadelphia Museum of Art Craft Show, the Smithsonian Craft Show, the New York SOFA show and Wendy Rosen wholesale shows. There I met and became friends with a number of fine craftspersons from all over the country. I studied the market’s characteristics, met and worked with the artists, and lectured on issues that concerned them. They included: ‘Pricing your work’; ‘Choosing your marketing venue’; ‘Functional and aesthetically pleasing vs. solely ornamental’; and ‘Your markets and its submarkets’ .
After two years on the road, I decided it was time to settle down. Initially, I thought I would go back to Chapel Hill. That’s not the way things worked out. I spent part of the two years taking care of my mother. She spent the eleven months before she died at the end of November 1986 in St. Vincent’s Hospital in Manhattan. (Another long story.) When I wasn’t on the road I lived in her apartment and experienced the hubbub the of the Village.
After her death I needed to get away. I’d been to St. Thomas in the USVI with my ex-wife, many years earlier. (Another long story.) But I had never been to St. John. I decided that it would be the ideal place to go. Never did I know! So my son Paul and I took a trip down there.
St. John turned out to be quiet, peaceful, beautiful, warm, sunny, a tropical island with a saltwater pool they called the ocean. But mostly it was the people, the locals, the St. Johnians who I really liked. They were so friendly, so accepting, so welcoming.
On the boat back to St. Thomas to catch the flight up to the States, I turned to Paul. Before I could say a word he said, “Yes, I know Dad.” Six months later I moved to St. John and never expected to leave. For the 18 years I lived there, every time I took the ferry from Red Hook to Cruz Bay I felt like I was going home. Sorry, I’m getting ahead of my story.
Even as a teenager, when we moved from Queens in New York City to Wonderful Western North Carolina, I was fascinated by relatively isolated communities. I called them ‘island communities’. For me it opened up the question, How were they able to survive, often over generations, given the limited resources that were available and with little contact with the outside world? What was their way of life? What could we learn from them?
Initially I decided to work on a project I called “The Living History of the Caribbean”.documenting the people, their culture and their crafts and products. During earlier times they made a number of important items locally. They included the boats, dwellings, stonewalls, fish pots, baskets and musical instruments. All were made from local materials using simple tools and their fine skills that they developed over generations. My intention was to find the skillholders who were still around that knew how to produce them. I wanted them to produce the product so I could document and preserve the techniques of production; showcase the quality of their work; and show how their products contributed to the local economy. That way the process would be preserved for future generations. Once the skillholders were gone their process would be lost with them.
As a starter, after I settled there and developed a friendship with Mr. Herman Prince, St John’s premier basketmaker-teacher, I decided to study St. John baskets. He said that I couldn’t write about them until I learned how to make them. So taking his advice, I took his class. Not only did I learn how to make the baskets, I learned about the St. John history and culture that made them possible. It led to the article I published in The Clarion: America’s Folk Art Magazine, published by The Museum of American Folk Art entitled, “Basketmaking on the Island of St. John” (Summer, 1990, Vol. 15, No. 3, pp. 52-59) In it you can see a picture of Mr. Prince. You can also see an image of his fine handiwork in A Measure of the Earth: The Cole-Ware Collection of American Baskets by Nicholas R. Bell (p. 144). His basket is now part of the Smithsonian American Art Museum collection.
Along the way, I put together a collection of 25 baskets. Included are some exceptionally fine baskets made by Mr. Prince, Capt. Victor Sewer and Ms. Louise Sewer. Their other baskets are more elaborate than Mr. Prince’s St. John Market Basket in the Smithsonian collection. My hope is to create a video that documents the collection and honors the baskets and their basketmakers, all of whom have since died.
Working with the elders revealed that an independent, self-sufficient free black community had existed on St. John’s East End from the late 1700s. That was 50 years before emancipation! It also led to my twenty-five year friendship with Guy H. Benjamin (Benji). He was acknowledged by all as St. John’s elder statesman. Benji and I spent many, many wonderful hours together until his death in at the age of 98 in 2012. We collaborated on a detailed study of the East End community from the 1790s to 1956.
I promised not to tell you any long stories but I do have to tell you a short one. I’ll try to keep it as brief as possible. St. John was home. I never intended to leave there. In January 1999 I was in the “bush” at Cinnamon Bay collecting hoop vine with my friend, Ralph Prince. Ralph has a sideline — basketmaking. For those of you who don’t know, “hoop” is what St. John baskets are made from. We were gathering it for his dad, Herman Prince.
I developed back pain and went to see my chiropractor, Dr. Alex Politis. He didn’t like what he was seeing and suggested that I go to the Clinic — the Myra Keating Smith Clinic. (Be careful Bernie, that’s another long story or two or more, in fact.) The short of it is that Dr. Barrett suspected I was having a heart attack but did not have the enzymes necessary to test for it. So she sent me off to the hospital on St. Thomas. (I had to get in an ambulance, an ambulance boat, then another ambulance before I could get there.) Their conclusion, at about one in the morning, was that I had a liver problem and they sent me home. After taking a taxi to Red Hook, I had to wait for the next ferry to Cruz Bay. It left at six in the morning. The next day I was diaphoretic, so drove myself to the clinic and was sent back to the hospital on St. Thomas. I went through the same routine all over again. This time they put me in intensive care.
I had had a heart attack. When I was released from the hospital, a friend accompanied me to the States. The long story short, at Duke University Hospital I had a CAB4X, a four vessel coronary bypass operation. After recovering I went back to St. John and split my time between there and Chapel Hill for a while. Although I never intended to leave St. John, I eventually decided to move back to the Chapel Hill-Carrboro area. The health-care was better there. That’s the short version.
Initially, I intended to continue working on the economics of high-end craft. However, based on my recent experience with the health-care system, I decided to resume my study of it. After returning to the States, I met Erin Coyle, an herbalist, massage therapist, wellness counselor and yoga teacher. Those are just some of her talents, as you will see. We found each other, developed a friendship and a fine working relationship.We decided to work together on a book entitled, “The Imperfect Health-Care Market: Making it work for you”, (remember imperfect markets is my specialty). Along the way we put together a website to let people know what we were doing. Check it out — www.imperfecthealthcaremarket.com.
We soon realized, however, that the health-care system was seriously broken. It was in the control of the stakeholders who had manipulated the legislative process to their benefit. Whatever we had to say would not be heard. So rather than waste our time, we went back to each of our true passion — Art. We have just published “The MiniBook: A Guide to Self Care, Volume I”. It is based on sayings that come from my experience and images to go along with them based on hers. It has been well received. There’s more to come. Volumes II-V are on their way!
Erin also convinced me that I should start “blogging”. My first response was “Blog? What’s a blog?” Obviously, I took to the idea and very much enjoy writing posts and getting feedback from my readers. (Thank you, very much.)
That’s how I spent my first 30 years in retirement. If you’re interested in seeing what I am doing now and planning for the next ?? years, check out my blog post entitled, “At 87”.
Some people say to me, “You call this ‘retirement’?” And I say, “Yes, it certainly is.” Do you know why? Because my definition of retirement is doing what I want to, when I want to do it. Retirement has given me the opportunity to take care of myself and it keeps me involved and engaged. I particularly enjoy working with the younger generations, sharing experiences, learning from them and using my training and experience to help them understand and cope with the world, their world. What could be better than that?